AUDIOPATCH

User Guide — Efficient Signal Routing for Live Touring
v2 · User Guide · April 2026
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→ §18

1 · Introduction

AUDIOPATCH is a browser-based planning app for signal routing in live productions. The app maps the complete signal flow from stage to console input — including split, multicore allocation, digital snake routing and IEM/RF frequency planning.

Who is this for?

RoleBenefit
System TechnicianComplete patching, loom planning, pack list, split matrix
Monitor EngineerSlave position with split channels, local I/O, IEM channels
FOH EngineerMaster position, stagebox configuration, output routing
Production ManagerPDF export, show preparation, hardware overview

3-Layer Model

🎤 Stage (Stage Inputs)
Mics, DIs, Playback → Looms → Stageboxes
🔀 Connection (Split / Digital Snake)
Trafo-Split, gigaACE, Optocore, Dante, MADI, AES50...
🎛️ Positions (FOH, MON, Recording...)
Console → Outputs → Wedges, IEM, PA, Sidefill
🌐

Recommended Browser: Google Chrome. AUDIOPATCH works in all modern browsers but is primarily developed and tested in Chrome. Safari may occasionally cause caching issues or rendering glitches with dropdown menus. For the best experience, we recommend Google Chrome, Microsoft Edge, or Brave.

2 · Quick Start

  1. Open App — Runs directly in the browser, no installation needed
  2. New Project — Click the AUDIOPATCH logo → "+ New Project"
  3. Choose Template — „Band 48 CH" for a typical touring rider
  4. Configure Hardware — ⚙ Setup → select console and stageboxes
  5. Patch Inputs — Stage Inputs are automatically populated from the stagebox
  6. Assign Looms — „🔗 Auto Loom Patch" distributes channels across multicore cables
  7. Export PDF — ⬇ Export → PDF for the crew

Install as App (PWA)

AUDIOPATCH is a Progressive Web App (PWA) — you can install it like a native app on your device without visiting an app store. The app then runs in its own window without a browser toolbar.

Data stays local: All projects are stored in the browser's localStorage — even after installation. Create regular export backups (JSON)!

📱 iOS / iPadOS (Safari)

  1. Open audiopatch.net in Safari
  2. Tap the Share icon (bottom toolbar)
  3. Select "Add to Home Screen"
  4. Confirm the name → tap "Add"

The app appears as an icon on your Home Screen and opens in fullscreen without the Safari toolbar.

🤖 Android (Chrome / Samsung Browser)

  1. Open audiopatch.net in Chrome
  2. Tap the menu (top right)
  3. Select "Install app" or "Add to Home Screen"
  4. Confirm

Alternatively, an install banner may appear automatically at the bottom of the screen.

💻 Desktop (Chrome / Edge / Brave)

  1. Open audiopatch.net in the browser
  2. Click the install icon in the address bar (right side of URL)
  3. Confirm "Install"

AUDIOPATCH then opens as its own window — independent from the browser, with its own icon in the Dock / Taskbar.

Benefits of Installation

BenefitDescription
Standalone windowNo browser chrome, full screen space for the app
Icon in Dock / DesktopQuick access like a native app
Offline useApp shell loads after first visit even without internet
No update requiredUpdates arrive automatically on next load
⚠️

Firefox: PWA installation is currently not supported by Firefox Desktop. Please use Chrome, Edge or Safari.

4 · Project Management

Create New Project

  1. Click the AUDIOPATCH logo in the sidebar
  2. "+ New Project" → enter name
  3. Choose Template:
    • Empty — Empty project
    • Band 24 CH — Standard band, 24 split channels
    • Band 48 CH — Full setup with playback, UHF, timecode
    • Festival — Like 48 CH, but with "Stage Master" (Splitter), FOH and MON. Master patch controls all signals and looms centrally.

Project Details

In the Projects drawer at bottom: Name, Artist, Venue, Date. All fields appear in the PDF header.

Duplicate Project

Right-click a project → "Duplicate". Creates a full copy with a new name. Perfect for tours: same setup, new venue.

5 · Hardware Setup

Open the Setup drawer (⚙) → Hardware Setup.

Choose Console

Each position has its own console. The dropdown shows: Manufacturer → Model (In/Out + AES)

Supported manufacturers: Allen & Heath, Avid, Behringer, DiGiCo, Lawo, Midas, Soundcraft, SSL, Waves, Yamaha — totalling 82 consoles in the database.

The console determines:

Configure Stageboxes

  1. Click "+ Add Stagebox"
  2. Select model (filtered by console compatibility)
  3. For modular stageboxes (e.g. DiGiCo SD-Rack): configure I/O cards
  4. For MixRacks (e.g. A&H DM64): assign I/O slots (Dante, MADI, gigaACE)
⚠️

The stagebox determines the maximum channel count of the position. Stage Inputs are automatically adjusted to match the stagebox size.

Set Split Master

The Split Master defines the shared stage input list and has preamp authority (Gain Master). Typically: MON is Split/Gain Master — the monitor engineer controls the preamps, as consistent levels are needed for IEM. FOH works as slave with trim compensation.

💡

For a gigaACE setup (A&H dLive): Split Master = position with the physical stage MixRack. Slaves receive a digital mirror via gigaACE.

Connections

Connections between positions define the split protocol (Analog, gigaACE, Optocore, MADI, Dante etc.) and channel count. Each connection can optionally have a name (e.g. "Main Snake", "IEM Link") — the name appears in the position header, connection wire, PDF and Excel export.

6 · Stage Inputs & Patching

Adding Channels

📋 Smart Import (Copy & Paste)

The Smart Import lets you import complete input/output lists from Excel, Numbers, Google Sheets or PDF via copy & paste. Columns are automatically detected and mapped.

  1. Click "📋 Import" (available for Stage Inputs, Outputs, Local In/Out, Slots, Band Import)
  2. Copy data from spreadsheet or PDF and paste into the text field
  3. Automatic column detection: Name, Mic, Position, Loom, Stand, 48V, Info, Category
  4. Dropdown per column to adjust mapping — Swap logic: reassigning a field automatically clears its old assignment
  5. Mode: Overwrite / Fill empty channels only
  6. Start at CH: Import begins at the selected channel

Loom Detection

Combined Loom+Channel values like F-1, A.12, MC1-3 are automatically split into loom name and channel number. Only looms that exist in the project are imported.

Validation

Values for Loom, Position, Stand and Category are checked against project data. Missing values are highlighted in red (⚠) and skipped during import. A summary appears directly above the Import button.

Advanced Recognition & Auto-Setup

💡

Copy directly from Excel or Google Sheets — Tab separation is automatically detected. Header rows are recognized and used as column labels.

Input Table Columns

ColumnDescription
SplitAssigned split channel (or Link CH for digital)
SB#Stagebox channel (physical input)
InputSignal name (e.g. "Kick In", "Lead Vox")
Mic / DIMicrophone or DI box (autocomplete, 300 entries)
LoomMulticore cable + channel (e.g. A:3)
PositionStage position (Drums, Bass, Keys, Guitar...)
StandStand type (Boom, Clip, DI Floor...)
InfoFree text note
48VPhantom power on/off (red dot = active). Column toggleable in Equipment Setup.

Context Menu (Right-click)

Stereo Pairs

  1. Shift+Click on two adjacent channels
  2. Right-click → "Declare as stereo pair"
  3. 🔗 Symbol appears between rows
  4. Auto Loom Patch keeps stereo pairs in the same loom
  5. IEM Planning: Stereo pairs in outputs are automatically recognized as stereo IEM channels in the IEM/RF tab when using "Auto-Generate"

7 · Outputs & Monitor-Sends

ColumnDescription
CHOutput channel number
OutputSignal name (e.g. "Drums Wedge", "IEM Lead")
CategoryMonitor Wedge, IEM, PA Main, Sub, Sidefill, Drumfill, etc.
LoomMulticore assignment for the return path
InfoFree text
⚠️

A red badge (e.g. 12/8) indicates more outputs are assigned than the stagebox physically has. Check configuration!

8 · Local I/O & AES

Each console has local connectors on the surface/rack, managed separately:

Tieline Patching

Tielines are physical cable connections between racks (e.g. FOH ↔ MON). In the Local I/O tables, channels can be patched to tieline looms:

FunctionDescription
Send (Output)Assign an output channel to a tieline loom + channel. Signal name is automatically transmitted.
Receive (Input)Choose tieline channel from dropdown → signal name is automatically synced from sender (live)
AES Auto-PairPatch on odd CH → partner (even CH) is automatically set to same loom:channel
Ripple-FillLoom cascade fills subsequent channels sequentially. AES pairs are completed automatically.
Readonly ProtectionInput field becomes readonly when tieline is set — prevents accidental overwriting
✕ ClearRemove tieline patch → partner side is automatically cleaned up
🔗

Bidirectional Capacity: Analog tielines carry 1 signal per XLR (maxCap=2 for send+return). AES tielines carry 2 signals per XLR (maxCap=4 for 2× send + 2× return).

9 · Loom System

Loom Types

TypeExamplesPurpose
Stage LoomsA, B, C, D, E, F...Stage → Split / Stagebox
MulticoreMC, MC2, MC3...Main multicore Stage → FOH
TielinesT.A, T.B, T.C...Connections between racks

Colors (Resistor Color Code)

LoomColorCode
A Black1
B Brown2
C Red3
D Orange4
E Yellow5
F Green6
G Blue7
H Violet8

Auto Loom Patch

🔗 Auto Loom Patch" distributes channels automatically according to configurable rules:

Rules configurable under ⚙ Setup → Equipment Setup → Auto-Loom Rules.

ℹ️

Inputs and Outputs separately: Auto Loom Patch runs separately for inputs and outputs. Both use the same loom pool (A, B, C...) — assignment is based on the stage position. For example, Drums inputs and Drums outputs (Wedge, IEM) end up in the same loom.

Loom Fill-Down

Click the colored dot at the bottom right of the loom cell, then drag downward → fills following channels with ascending loom channels. AES channels are skipped.

10 · Split Configuration

The split defines how stage signals are distributed to multiple positions.

Split Types

TypeDescriptionLatency
Trafo SplitPassive analog split (transformer-isolated)0
Active SplitActive analog split with amplification0
gigaACEA&H proprietary, automatic routing52μs
OptocoreDiGiCo proprietary, fiber<1ms
TWINLANeYamaha RIVAGE proprietary<1ms
dSnake/DXA&H SQ/Qu series<1ms
AES50Midas/Behringer digital snake<1ms
MADI 64Custom digital, BNC/EtherCon<1ms
MADI 128Custom digital, fiber<1ms
Dante/AES67IP-based, custom routing~1ms

Gainsharing

For digital splits, a gainsharing mode is set per connection in Hardware Setup:

The Gain Master is configured per connection. In typical touring setups, MON is the Gain Master to ensure consistent IEM levels.

Auto Split on Setup

When creating or modifying a connection in Hardware Setup, a 1:1 split is automatically applied — no need to manually click "↻ Auto Split" anymore. Manual adjustments are never overwritten.

Slave Position (v1)

Special rules apply to slave positions:

🔒

Data Isolation: When a split is removed, channel data is cleanly separated between master and slave. No data contamination between positions.

11 · Patch Overview

The Patch tab shows all positions side by side: Split matrix, loom assignment, channel status and conflicts at a glance.

Avantis CSV Export

For Allen & Heath Avantis: Direct CSV export in Avantis Director format. Import via File → Import CSV in the Director software.

12 · Digital Patch & Connections

Digital connections between positions (MADI, Dante, gigaACE, Optocore, AES50 etc.) are configured via Digital Patch tabs. Each connection has its own sub-tab with protocol and channel count.

Structure

Each digital patch tab shows two columns:

ColumnDescription
TX SOURCESend side: TX label (signal name), TX source (source dropdown)
→ SEND → [Position]Transmission to partner (channel assignment)
← RECEIVE ← [Position]Receive side: Incoming signals from the partner (automatically synchronized)

TX Auto-Patch

The ↑ TX Auto-Patch button automatically fills TX labels from the stage input list:

  1. Stage inputs are sorted by loom letter and loom channel
  2. TX channels 1–N are filled sequentially with signal names
  3. TX source is automatically set to the corresponding stage input
💡

Undo: TX Auto-Patch is fully undoable via Cmd/Ctrl + Z.

TX Source Dropdown

Each TX channel has a dropdown to link to a stage input. The dropdown shows:

RX Receive

The right column shows the incoming signals from the partner position. This data is automatically synchronized — e.g. if MON defines TX labels, they appear on FOH as RX Receive.

Clear All

Clears both directions (TX and RX) of the digital connection. Secured by confirmation dialog. Also undoable.

Context Menu & Multi-Select

Right-click on a TX row opens a context menu with:

Multi-select: Click = single, Shift+Click = range, Cmd/Ctrl+Click = toggle. Selected rows are visually highlighted. All Clear actions apply to the entire selection.

Tab Navigation: Tab jumps to the next row in the same column (TX Source or TX Label). Shift+Tab jumps back.

RGB / RX Buttons

ButtonColorFunction
+ R0/128 TXGreenShow/reduce TX channels
+ R0/128 RXOrangeShow/reduce RX channels
↑ TX Auto-PatchPosition colorFill stage inputs → TX channels

13 · Recording / Interface Positions

Interface positions (e.g. REC, Broadcast) are positions without physical stageboxes. They receive their signals exclusively via digital connections (MADI, Dante).

Special Features

Typical Setup

PositionConsoleStageboxConnection
RECRME MADI— (none)MADI 128ch ↔ MON
BroadcastDante-Interface— (none)Dante 64ch ↔ FOH
💡

Interface positions are ideal for multitrack recording: The console at the REC position receives a mirror of all stage inputs via the digital connection.

14 · Loom Planner

The Loom tab shows all multicore assignments sorted by loom letter:

15 · IEM / RF Planner

IEM Channels

Per IEM channel configured:

FieldDescription
Namee.g. "Lead Vox", "Drums"
ModeStereo or Mono
TransmitterRack transmitter (PSM 1000, SR 2050 IEM, MTK952...)
BodypackReceiver (P10R+, EK IEM G4, MPR52...)

UHF Microphones

FieldDescription
Namee.g. "Lead Vox HH"
CapsuleCapsule type (KSM9, MMD 935, KK 204...)
ReceiverRack receiver (AD4Q, EM 6000, DSQD...)

Auto-Generate

Auto-Generieren" automatically creates IEM channels from monitor outputs. Stereo output pairs are recognized and combined as stereo IEM.

16 · Pack List

The Pack List tab automatically generates an equipment list:

17 · Export & Import

PDF Export

  1. ⬇ Export → Export PDF
  2. Select sections (Positions, Patch, Loom, IEM/RF, Pack List, Notes)
  3. Print dialog opens → Print as PDF or print directly

PDF contains: AUDIOPATCH logo, project name, artist, date + all selected sections.

Excel Export

⬇ Export → Export Excel — generates a professional .xlsx file with multiple sheets:

SheetContent
Hardware SetupPositions, consoles, stageboxes, connections (first tab)
PositionsPer position: inputs with loom color cells + outputs
Loom PlanAll loom assignments as card sections (channel, signal, position, type)
Digital PatchTX/RX channels per connection (only for digital splits)
IEM & RFIEM channels + UHF microphones as pack list summary
Festival BandsPer band a sheet — master values gray, overrides colored, loom changes highlighted orange

Before export, a section dialog appears — you choose which sheets are included in the file.

Backup JSON

Exports the complete project as a .json file. Filename contains project name, artist and date. Load via "Load Backup".

Backup Improvements (v1)

🍎

Safari (macOS): Safari does not support a "Save As" dialog for downloads. Files are saved directly to the Downloads folder. To choose a save location and filename before each download, enable in Safari: Settings → General → File download location → "Ask for each download".

⚠️

Export backups regularly! The app saves to browser localStorage — data is lost if cache is cleared or browser is changed.

18 · Pro Shortcuts

Fewer clicks, more output — the most important hidden features at a glance.

🖱 Right-Click Context Menu

Right-click on any row in Stage Inputs, Outputs, Local I/O and Digital Patch opens a context menu:

ActionDescription
⎘ DuplicateDuplicate entire row (all fields)
↕ SwapSwap two rows (Shift+Click for selection)
⌫ ClearClear row content (row stays, content is deleted)
Content downDuplicate row content into the next row
Stereo PairDeclare / remove two rows as stereo pair (🔗 badge)
Insert rowsInsert empty rows at this position (shifts subsequent channels)

🖱 Digital Patch Context Menu

Right-click on a TX row in Digital Patch — works with multi-select:

ActionDescription
⌫ Clear TXDelete TX label and TX source of selected row(s) (single or multi-select)
⬇ Duplicate TX downCopy TX content to the next row
↕ Swap TXSwap TX content with the next row
✕ Clear AllDelete both directions (TX + RX) of the entire connection (with confirmation)
💡

Multi-select: Click = single row, Shift+Click = range, Cmd/Ctrl+Click = toggle. All Clear TX actions apply to the entire selection.

⚡ Speed Features

FeatureWhereWhat it does
Fill-DotColored dot bottom-right in loom cellClick = fills subsequent channels with next free loom channel (ripple-fill)
Live Search🔍 Search field top-right in every tableFilters rows in real-time by name, mic, position
Excel Import📋 Import buttons in every tablePaste tab-separated data from Excel/Google Sheets — columns are auto-detected
Auto SplitWhen creating a connection1:1 split is auto-applied — no manual clicking needed
Live Loom PlannerLoom tabUpdates instantly when patching — no tab switching needed
Light / Dark Mode☀/🌙 Toggle in sidebarTheme-aware colors across entire app

🔧 Connection System

Connections in Hardware Setup offer more than just protocol selection:

FeatureDescription
3 ModesAnalog / Digital / Gainsharing — each mode shows only compatible protocols for your hardware
Channel MasterPer connection: which position owns the input list (names, mic/DI, columns) — slaves receive a synchronized copy
Channel CountFreely adjustable per connection (8–512 channels)
Multiple ConnectionsMore than 1 connection between the same pair possible (e.g. MADI + Dante)
Detail PanelClick connection card → channels, master, protocol options, delete
Connection NameOptional name (e.g. "Main Snake") — appears in position header, wire, PDF and Excel

🎯 Loom Pro Features

FeatureDescription
S/R LoomOutputs can be set to "S/R" (Send/Return) — send and return on different looms
Tieline Name SyncSignal name is automatically transmitted from sender → receiver (live, bidirectional)
AES Auto-PairPatch on odd CH → partner (even CH) is automatically set to same loom:channel

19 · Workflow

Phase 1 — Advance (Office)

#ActionWhere
1Create new project, enter artist + venueLogo → New Project
2Configure FOH and MON console + stageboxes⚙ Setup
3Set split type + split master⚙ Setup
4Import input list from rider (copy & paste)📋 Import List
5Assign mic/DI per channelMic/DI column
6Run Auto Loom Patch🔗 Auto Loom Patch
7Create outputs (wedges, IEM, PA, sidefill)Outputs section
8Configure digital patch (TX Auto-Patch)Digital Patch Tab
9Configure IEM/RF channelsIEM/RF Tab
10Export PDF and distribute to crew⬇ Export → PDF

20 · Keyboard Shortcuts & Tips

ShortcutAction
Cmd/Ctrl + SSave
Cmd/Ctrl + ZUndo (incl. TX Auto-Patch, Clear All, split changes)
Cmd/Ctrl + Shift + ZRedo
?Toggle help mode
Shift + ClickMulti-select (stereo, swap)
EnterConfirm input field
TabNext row, same column (vertical navigation in all tables)
Shift + TabPrevious row, same column
💡

Adjust column widths: In Digital Patch, drag the column dividers in the table header — widths are saved.

💡

Fast mic input: The Mic/DI field has autocomplete. Type „SM" and choose from 300 predefined microphones and DI boxes.

💡

Drag & Drop: Reorder channels using the ⠇ handle. Order is saved immediately.

21 · Equipment Setup (Detail)

Open ⚙ Setup → Equipment Setup. All settings are saved per project.

🎸 Stage Positions

Dropdown values for the Position column in the input table. Default: Drums, Percussion, Bass, Keys, Guitar, Brass, Strings, Vocals, Choir, DJ, Playback, FOH.

Also controls Auto Loom Patch: Channels with the same position end up in the same loom.

🔊 Output Categories

Dropdown for the Category column in the output table. Default: Monitor Wedge, IEM, Sidefill, Drumfill, PA Main, PA Sub, PA Front Fill, PA Delay, Broadcast, Recording, Intercom.

Used as grouping criterion for outputs in Auto Loom Patch.

🎙 Stand Types

Dropdown for the Stand column. Default: Large Stand, Boom, Desk Stand, Clip, Overhead, DI Floor, DI Rack.

🎤 Microphone List

Dropdown values for the Mic / DI column in the input table. You can add custom microphones and DI boxes to this global list, making them permanently available for your project and when saving your profile.

📋 Table Columns

Toggle individual standard columns on/off:

Input TableOutput Table
🎤 Microphone🔌 Typ
📍 Position🏷 Category
🎙 Stand📍 Position
📝 Info📝 Info
⚡ 48V Phantom

Custom Columns

Add custom columns separately for inputs and outputs. Examples:

⚡ Auto-Loom Rules

CheckboxEffect
🎸 Group by stage positionChannels with the same position end up in the same loom
🔗 Keep stereo pairs togetherStereo pairs are never split across different looms
🔒 Keep existingOnly channels without loom assignment are filled
↑ Fill from topFill looms from CH 1 upward
🔊 Outputs by categoryGroup outputs by category (IEM together, Wedge together)

🔗 Loom Settings

Stage Looms (A, B, C...)

Multicore (MC, MC2...)

Tielines (T.A, T.B...)

⚠️

Apply Standard CH/Loom sets ALL stage looms to the new channel count and clears auto-loom assignments. Multicore and tielines remain unchanged.

22 · Hardware Scenarios

A&H dLive (gigaACE Split)

PositionConsoleStageboxSplit
FOHdLive S5000DM64 (gigaACE → Stage DM48)gigaACE
MON 👑dLive S7000DM48 (Stage)gigaACE

Split Master = MON (physical stage MixRack). FOH receives mirror via gigaACE. MON = Channel Master.

DiGiCo SD Series (Optocore Split)

PositionConsoleStageboxSplit
FOH 👑SD12SD-Rack (56in/56out)Optocore
MONSD12Optocore

Both consoles in the same Optocore ring. SD-Rack slots: Input cards (8×Mic/Line), Output cards (8×Line).

Yamaha RIVAGE (TWINLANe Split)

PositionConsoleStageboxSplit
FOH 👑RIVAGE PM5RPio622 (+ HY144-D)TWINLANe
MONRIVAGE PM3TWINLANe

Assign MY expansion cards in setup under slot configuration.

Midas M32 + Transformer Split

PositionConsoleStageboxSplit
FOH 👑M32DL32 (AES50)Trafo Split
MONM32RDL16 (AES50)Trafo Split

External transformer splitter. No gainsharing for analog split.

Festival Patch Mode (3+ Positions)

The Festival Patch Mode is a special operating mode for festivals with multiple bands. It is activated via ⚙ Hardware Setup → "Enable Festival Mode".

🎪

Concept: There is one central Stage Splitter with a fixed Master Patch. Each band gets its own band tab with the ability to override individual channels — all other channels automatically follow the Master Patch.

Architecture

ElementFunction
Stage Master (Splitter)Physical stage split box. Defines channel count (8–64 CH) and loom assignments. Immutable per band.
FOH / MONReceive the split. Have their own independent outputs (stagebox configuration).
Band TabsOne tab per band. Shows Master Patch + overrides. Channels without override follow the master.
Output MasterWhich position (FOH or MON) sends outputs to the stage split box. Can be set to "None".

Setup Steps (Festival)

  1. Open ⚙ Setup → "Enable Festival Mode"
  2. In Stage Master: Choose splitter size (8, 16, 24, 32, 48, 56 or 64 channels)
  3. Configure fanouts: which positions (FOH, MON, …) receive a split
  4. Select Output Master (e.g. MON) — or "None" if no outputs go back to stage
  5. In the Master Patch Tab: enter inputs and loom assignments for the complete stage
  6. Add bands via "+ Band" in the tab bar
  7. Per band: enter deviating channels as overrides — all others follow the master

Band Tab Controls

ElementFunction
Checkbox (✓) in SPL columnChecked: channel follows Master Patch (read-only, blue highlight). Unchecked: band can enter own data.
Loom Badge (e.g. B:3)Shows deviating loom assignment for this band vs the master.
⊘ (strikethrough symbol)Solo mode: this band is the only act — stage splitter is bypassed, direct patching without split.
Auto Split / Clear SplitSame as normal positions — only affects this band tab.
Auto Loom / Reset LoomAssigns loom channels band-specifically / resets them.
Import InImport channel names from a list (copy & paste) into the band tab.

Solo Mode (⊘)

When a band is the only act (no splitting needed), the Solo Mode can be activated. Fields become directly editable — the stage splitter is logically bypassed. In Festival Overall and PDF, solo mode is highlighted with a red banner.

💡

Loom Badges: In the Festival Overall tab and PDF export, each band shows which channels use a different loom than the master. The badge shows loom letter and channel (e.g. B:3) in the loom color.

Festival Overall Tab

The Festival Overall tab (next to "Patch") shows a complete overview: Master Patch on the left, one column per band on the right. Deviating channels, loom differences and solo markers are visible at a glance.

Festival Scenario: Midas M32 + Analog Split

PositionConsoleStageboxSplit
Stage MasterPassive Splitter Box (48 CH)Trafo Split
FOH 👑M32DL32 (AES50)Trafo Split
MONM32RDL16 (AES50)Trafo Split

Output Master = MON. Bands with individual rider requirements get their own band tabs with loom overrides.

💡

Midas M32 and Behringer X32/S-Series are fully compatible — both use AES50 (SuperMAC). You can combine e.g. an M32 with a Behringer S32 stagebox.

23 · Advanced Features

Drag & Drop

Each row: grab the ⠇ handle → drag up/down → release. SB# is automatically renumbered.

Auto Split 1:1

Toolbar button. Assigns split channels: CH1→Split1, CH2→Split2 etc. For slave positions the dropdown shows available master channels.

📝 Notes Tab

Free text field — crew briefing, checklists, change notes. Also exported in the PDF.

🕐 History Tab

Automatic changelog of all changes with timestamp.

Manufacturer Info (ℹ️ Drawer)

Pill buttons per manufacturer. Each page: network protocol, stageboxes, setup example in AUDIOPATCH notation.

Help Search (❓ Help)

In the info drawer, full-text search across 20+ help articles. Categories: Navigation, Setup, Patch & Loom, Inputs & Outputs, IEM/RF, Export, Shortcuts.

Data Storage

⚠️

Before every browser update and after every show: export a Backup JSON. localStorage may be lost when cache is cleared.

24 · Technical Glossary

TermExplanation
AES/EBUDigital audio format (2 channels per XLR, 110Ω balanced)
AES50Digital audio network (Midas/Behringer). 48ch bidirectional per CAT5e
BodypackBelt-pack receiver for IEM, worn on musician's belt
DanteIP-based audio network (Audinate). Up to 512ch over Gigabit Ethernet
DI-BoxDirect Injection — converts unbalanced line to balanced mic signals
DrumfillMonitor speaker behind the drum kit
FOHFront of House — mixing console position in the audience area
GainsharingDigital split with shared preamp stage and individual trim compensation
gigaACEAllen & Heath proprietary audio network (128ch, 52μs, EtherCon)
IEMIn-Ear Monitoring — wireless monitoring via earphones
LoomPhysical multicore cable bundling multiple signals (e.g. 8× XLR → Sub-D)
MADIMultichannel Audio Digital Interface (64/128ch via BNC or fiber)
MixRackExternal preamp/converter unit, connected to the console via network
MONMonitor — mixing console position on stage (side stage)
MulticoreMain connection between stage and FOH (often >24 channels)
MY-SlotYamaha expansion slot for optional I/O cards (Dante, MADI, AES)
OptocoreDiGiCo proprietary audio network (fiber, up to 128ch, <1ms)
Phantom48V phantom power for condenser microphones
PreampPreamplifier — converts weak mic signals to line level
RiderTechnical requirements list of a band/artist
SidefillStage speakers on the sides for monitoring without IEM
SplitSignal distribution: one input → multiple consoles
StageboxRemote I/O unit on stage (multicore or digital snake)
Sub-DMultipin connector for analog multicore (25-pin = 8ch)
TielineDirect cable connection between two racks
TrimFine adjustment of signal level after the preamp (±20dB)
TWINLANeYamaha RIVAGE proprietary audio network (fiber, 128ch)
UHFUltra High Frequency — frequency range for wireless (470–960 MHz)
WedgeStage speaker as floor monitor (wedge shape)